This article is, for the time being, only available in Spanish: 37°2 Le Matin
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last update avril 2024
Volumen 14 | Nº 1
Volumen 14 - Nº 1
MARCH 2024
March 2024 - June 2024
37°2 Le Matin
37°2 Le Matin | Jean-Jacques Beineix | 1986Luiz-Olyntho Telles da Silva
Abstract
The text presents the analysis of a film in which the main characters, dramatizing a folie-a-deux, show, through a blue note – the melodic expression of melancholy –, to which point a fragile structure of the Symbolic can make it difficult to cross of the phantasmatic Real and also the consequences of this in the life of the subject.
Keywords: Blue note | care | ley | Real | Symbolic
Volumen 14 | Nº1
MARCH 2024
March 2024 - June 2024
Table of Contents
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Immortality as freedom. A cinematographic contrast Offret | Andréi Tarkovski | 1986 - The house that Jack built | Lars von Trier | 2018 Luis Fernando Rodríguez Lanuza
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“Pain in memory: memory, politics and aesthetics in the feature film Hannah Arendt (2012), by Margarethe von Trotta” Hannah Arendt | Margarethe von Trotta | 2012 Francisco David García Martín
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Cultural trauma and violence in contemporary Mexico Los parecidos de Isaac Ezban Andrés Téllez Parra
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Psychoanalytic notes on memory in first-person documentary cinema Juan Carlos Hernández ArreygueMartín Jacobo Jacobo
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The city of excited nerves: urban life in classic Argentine film noir Apenas un delincuente | Hugo Fregonese | 1949 - Del otro lado del puente | Carlos Rinaldi | 1953 - Ensayo Final | Mario Lugones | 1955 Daniel Adrián Giacomelli
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.