Abstract

Pulp Fiction (Tarantino, 1994) let us put the current time under a magnifying glass. In his second movie, Tarantino provides a clever reflection of the prevailing effect of these days misplacing. In order to explore it, use several and varied film maker’s artifice that contribute to produce that effect; letting him, at the same time, specify that the untied of our time placed initially in the Simbolic Order. On the other hand, this excellent scripwriter knows that the compasses that guides us in the existence are many, singulars and always failed. Tarantino describes two believers characters, Jules and Butch, that will invent two fictions of love of the father in order to save them selves. Pulp Fiction teachs us that in the mundialization and masive consumption era, the salvation remains subjective.

Keywords: Contemporaneity | Misplacing | Simbolic Order | Love from the Father | Names-of the-Father | Sinthome.