This article is, for the time being, only available in Spanish: La ciudad de los nervios excitados: vida urbana en el noir argentino clásico
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last update avril 2024
Volumen 14 | Nº 1
Volumen 14 - Nº 1
MARCH 2024
March 2024 - June 2024
The city of excited nerves: urban life in classic Argentine film noir
Apenas un delincuente | Hugo Fregonese | 1949 - Del otro lado del puente | Carlos Rinaldi | 1953 - Ensayo Final | Mario Lugones | 1955Daniel Adrián Giacomelli
Facultad de Arte – Universidad Nacional del Centro de la Provincia de Buenos Aires
https://orcid.org/0000-0003-4006-8395
Abstract
In the following article we propose to carry out the analysis of the films Apenas un delincuente (Fregonese, 1949), Del otro lado del puente (Rinaldi, 1953) and Final Rehearsal (Lugones, 1955), works belonging to the Argentine film noir made during Peronism, in which urban life takes center stage. Starting from the study of the affective mappings of the protagonists, we will try to demonstrate how a Peronist feeling develops in its paths, while we will develop a study of the spaces in the Argentine variant of the noir genre.
Keywords: film noir | Argentina | peronism | city | affections
Volumen 14 | Nº1
MARCH 2024
March 2024 - June 2024
Table of Contents
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Cultural trauma and violence in contemporary Mexico Los parecidos de Isaac Ezban Andrés Téllez Parra
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Psychoanalytic notes on memory in first-person documentary cinema Juan Carlos Hernández ArreygueMartín Jacobo Jacobo
Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.