This article is, for the time being, only available in Spanish: La relación ser-humano-naturaleza en el largometraje de Hayao Miyazaki: Nausicaä del Valle del Viento, desde el principio de armonía confuciano
NOTAS
  
		
		
MARCH 2022
March 2022 - June 2022
Abstract
The present work proposes a reading of the human-nature relationship in the film developed by the Japanese director Hayao Miyazaki: Nausicaä of the Valley of the Wind, through the Confucian principle of harmony, expanding the way in which the role of the moral agent in Miyazaki’s work has been understood in its relationship with nature.
Keywords: virtue | harmony | nature | human being | ethic
					 This article is, for the time being, only available in Spanish: La relación ser-humano-naturaleza en el largometraje de Hayao Miyazaki: Nausicaä del Valle del Viento, desde el principio de armonía confuciano
NOTAS
		
			
Volumen 12 | N° 1
MARCH 2022
March 2022 - June 2022

Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
    Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
    Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
    Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
    The International Network of the UNESCO Chair in Bioethics.