This article is, for the time being, only available in Spanish: Cuerpos convertidos en armas: una lectura ética y psicoanalítica
NOTAS

Red Universitaria de Antropología de Iberoamérica (RUAI)
Abstract
This article analyzes the film Weapons (Zach Cregger, 2025) from a dual perspective: ethics and psychoanalysis. The work, centered on the disappearance of a group of schoolchildren and the control rituals carried out by a witch over the community, provides a privileged framework to reflect on the instrumentalization of the body and the transmission of collective trauma. From an ethical standpoint, the film problematizes the community’s response, which, instead of fostering solidarity, resorts to blame, exclusion, and the sacrifice of the Other. The narrative ambiguity of Weapons reinforces the need to question the boundaries between victim and perpetrator, as well as individual and collective responsibility. From a psychoanalytic perspective, the film revisits Freudian the uncanny: the familiar turned disturbing, where bodies become instruments of another’s will and rituals represent the return of the repressed. It is concluded that the true horror of the work does not lie in the supernatural, but in the fragility of human bonds in the face of violence and fear.
Keywords: weapon | community | body | responsibility | terror
This article is, for the time being, only available in Spanish: Cuerpos convertidos en armas: una lectura ética y psicoanalítica
NOTAS
Volumen 16 | Nº 2
JULY 2026
July 2026 - November 2026

Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.