This article is, for the time being, only available in Spanish: La búsqueda de sentido y el cine
NOTAS

Departamento de Filosofía, Universidad Católica de la Santísima Concepción, Concepción, Chile
Abstract
This work begins with an analysis of the human being as a seeker of meaning. Thus, the question of meaning is a questioning that is presented as a recurrent existential dilemma that marks life with the question: why or for what purpose do I do what I do? The existential meaning as a justification of the acts and purpose of life, will be contrasted with the cinema as an incipient searcher of meaning that can help the present subject in the answer to this question. Thus, the individual is defended as a searcher of meaning and the cinema, as a representative of art, is proposed as a means to elucidate and answer this question. In this last part we will use the film Close (2022) by director Lukas Dhont, to analyze the search for meaning in his argument and to deepen our proposal.
Keywords: meaning | cinema | existence | life
This article is, for the time being, only available in Spanish: La búsqueda de sentido y el cine
NOTAS
Volumen 16 | Nº 2
JULY 2026
July 2026 - November 2026

Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.