Journal de Etica y Cine

Volumen 14 | Nº 2

Acting: The mise en abyss in cinema as a resource of the analytical clinic

Juan Jorge Michel Fariña, Eduardo Laso

Universidad de Buenos Aires

The subversive power of the Body-without-Organs. Eraserhead by David Lynch as a sequel to David Cronemberg’s Crimes of the Future

Eraserhead | David Lynch | 1977 - Crimes of the Future | David Cronenberg | 2022
Luis Ángel Campillos Morón

Universidad de Zaragoza

The Femme Fatale Function in Film Noir and Poetic Realism

Scarlet Street | Fritz Lang | 1945 - La chienne | Jean Renoir | 1931
Juan M. Dardón

Instituto de Filosofía “Dr. Alejandro Korno”, Facultad de Filosofía y Letras - UBA

Freud and “cinematic intuition”: psychoanalysis, cinema and epistemology

Mireille Berton

Université de Lausanne, Suiza

The end and the purpose of humanity

Interstellar | Christopher E. Nolan | 2014
María Marta Preziosa

Pontificia Universidad Católica Argentina

Heroicity as an arena of gender struggle. The case of the Robin Hood series

Robin Hood | Dominic Minghella, Foz Allan | 2006-2009
Cecilia Inés Luque

Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Centro de Investigaciones “María Saleme de Burnichon”

Tarantino and subtle violence of ideology

Rodolfo Vera García

Centro Interdisciplinario de Investigación para el Desarrollo
Integral Regional del Instituto Politécnico Nacional (CIIDIR-IPN)

From Horror to Body Transmutation in The Cinema of David Cronenberg

Universidad Técnica de Ambato

Hypersonic Metals, Singing Insect Women, Symphonic Orchids. Hybrid Bodies

Vermilion Sands | Crash | J. G. Ballard
Franziska Humphreys

Multiplication, An Outbreak of The Body

The Relationship Between Cinema and Politics in Foucault’s thought
Lautaro Colautti

Universidad de Buenos Aires. Facultad de Filosofía y Letras

https://orcid.org/0009-0007-3770-6874

The challenges of society through fantasy cinema: the role of the forest

Errementari | Paul Urkijo Alijo | 2017 - Irati | Paul Urkijo Alijo | 2022
Ander Goikoetxea Pérez

Universidad del País Vasco / Euskal Herriko Unibertsitatea

PSICOCINE: a space for the promotion of mental health in Camagüey, Cuba

Pablo Hernández Figaredo

Especialista de I y II Grados en Psiquiatría, Profesor Auxiliar y Consultante de Psiquiatría Universidad de Ciencias Médicas de Camagüey, Master en Psiquiatría Social

ORCID: https://orcid.org/0000-0001-9477-3079

Book Review

A course on human rights on the big screen

Los derechos humanos en el cine ǀ Benjamín Rivaya García ǀ 2024
Francisco Pérez Fernández

Universidad de Oviedo

Review

LATIMOS: A sound journey from the body to inspiration

Latimos | Tamara Ajzensztat | 2020
Tamara Ajzensztat

Facultad de Psicología, Universidad de Buenos Aires

Previous issues

Volumen 14 | Nº 1
Volumen 14 - Nº 1

MARCH 2024
March 2024 - June 2024
Volumen 13 | Nº 2
Volumen 13 - Nº 2

JULY 2022
July 2022 - Octuber 2022
Volumen 13 | Nº 1
Volumen 12 | N° 3
NOVEMBER 2022
November 2022 - February 2023
Volumen 12 | N° 2
JULY 2022
JULY 2022 - OCTUBER 2022
Volumen 12 | N° 1
MARCH 2022
March 2022 - June 2022
Volumen 11 | N° 3
NOVEMBER 2021
November 2021 - February 2021
Volumen 11 | N° 2
Ética y Filosofía
Volumen 11 | N° 1
MARCH 2021 - JUNE 2021
Volumen 10 | Nº 3
NOVEMBER 2020 - FEBRUARY 2021

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Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.