Journal de Etica y Cine

Volumen 16 | Nº 2 | July 2026

Cinema, Body, and Power. The Subaltern Subject in Prayers for the Stolen

Noche de fuego | Tatiana Huezo | 2021
Juan Casas

Instituto Tecnológico y de Estudios Superiores de Monterrey, Monterrey, México
https://orcid.org/0009-0001-0624-9179

We are the same human beings, but they were unlucky: The Ableist Gaze and the Rejection of Japanese Homogeneity in Kazuo Hara’s Sayonara CP

Sayonara CP | Kazuo Hara | 1972
Rafael Méndez García

Centro de Estudios de Asia y África del Colegio de México

Confined Childhoods: Allegory and Subjectivation in Samira Makhmalbaf’s The Apple

La manzana | Samira Makhmalbaf | 1998
Ndeni Esperanza Rojas Barragán

El Colegio de México A. C. (COLMEX)
Identificador ORCID: 0009-0001-7826-9646

Pictures of reality in three Argentine underground fictions

CICPBA-UNICEN
ORCID: 0009-0001-7804-1350

Bodies Turned into Weapons: An Ethical and Psychoanalytic Reading

Weapons | Zach Cregger | 2025
Fernando González y Galán

Red Universitaria de Antropología de Iberoamérica (RUAI)

When revenge is justified. Regarding Kill Bill: Hegel, the life-or-death struggle for recognition of the other, and Foucault’s power relations

Kill Bill | Quentin Tarantino | 2003-2004
Sheila López-Pérez

Universidad Isabel I, Burgos, España

Fractured Mirrors in an Overloaded World

Postmodernist Cinematic Variables in the Representation of Climate Change
Jesús Cendros Guasch, Pavel Cendros Parra

Universidad Privada Dr. Rafael Belloso Chacín (URBE), VenezuelaUniversidad Privada Dr. Rafael Belloso Chacín (URBE), Venezuela

The search of meaning and cinema

Close | Lukas Dhont | 2022
Felipe Arthur Muñoz Becerra

Departamento de Filosofía, Universidad Católica de la Santísima Concepción, Concepción, Chile

The Narrative of Dissensus: Approaches to Viejo calavera (2017) by Kiro Russo Based on a Reading of Jacques Rancière

Viejo calavera | Kiro Russo | 2017
Sebastian Morales Escoffier

Instituto de Investigaciones filosóficas - Universidad Mayor de San Andrés

The desiring gaze and the enjoyment of madness: a psychoanalytic reading of feminine horror

Pearl | Ti West | 2022
Yi Wang

Universidad Complutense de Madrid (UCM)

Etica y Cine (Ethics & Films) is a Peer Reviewed Quarterly Journal Edited by
Department of Psychoanalysis and Department of Deontology, School of Psychology, National University of Cordoba, Argentina
Department of Psychology, Ethics and Human Rights, School of Psychology, University of Buenos Aires, Argentina
With the collaboration of:
Center for Medical Ethics (CME), Faculty of Medicine, University of Oslo, Norway
Under the auspicious of:
The International Network of the UNESCO Chair in Bioethics.